Born in 1929 with some difficulty (the “Julius” of his name denoted a caesarean delivery), he was cherished in childhood and much was expected of him — as the child of the woman who inspired Evelyn Waugh’s “Mrs Stitch” it could not have been otherwise. Lord Beaverbrook and the Aga Khan were among his godparents. It was given to few schoolboys, even in Eton Cadet Corps uniform, to assist their ambassadress mother in inspecting the General de Lattre de Tassigny’s troops.
His parents doted on him. When he was nearly seven years old in 1936 his mother, Lady Diana Cooper (née Manners), took him for a fortnight to Aix-les-Bains, largely in an attempt to wean him off his English nanny. “I can still feel, as if it were yesterday,” he wrote later, “the excitement of the Channel crossing; the regiment of porters, smelling asphyxiatingly of garlic in their blue-green blousons; the raucous sound all around me of spoken French (which I already understood quite well, having had twice-weekly French lessons since the age of five); the immense fields of Normandy, strangely devoid of hedges; then the Gare du Nord at twilight, the policemen with their
képis and their little snow-white batons; and my first sight of the Eiffel Tower.”
His childhood was further cushioned by the luxuries of life at Belvoir Castle in Leicestershire. In his 2010 memoir
Trying to Please he described “the sense of amplitude — the sheer scale of that aristocratic life”. Even his mother’s illegitimacy could not dampen it. Although she was brought up as a daughter of the Duke of Rutland, she was actually fathered by the Hon Harry Cust of the neighbouring Belton estate.
As Cust is also thought to have slept with Margaret Thatcher’s maternal grandmother, one of his servants, this suggested that JJ, as he was nicknamed, and Lady Thatcher were first cousins. “A DNA test would only take a couple of minutes,” he said in later life. “But I have never dared suggest it — except once to Carol Thatcher. She seemed moderately amused, but I never heard back.”
Having a mother who was much admired and very much indulged was not necessarily an advantage. John Julius had been ready to go to a preparatory school in Switzerland, but the outbreak of war in 1939 made other arrangements necessary. There was a public outcry when it was discovered that the only child of Duff Cooper, the minister responsible for public morale, had sailed for New York in an American boat.
After a short time at Upper Canada College in Toronto he returned — this time on a cruiser, taking his turn standing watch — to go to Eton. He saw little of his father during and immediately after the war, but followed in his footsteps to New College, Oxford, where he read modern languages and his moral tutor was the celebrated philosopher and historian Isaiah Berlin. Before graduation he fell in love with Anne Clifford and married her in 1952.
As a cabinet minister who was close to Edward VIII and Winston Churchill, Duff Cooper enjoyed high standing, but no great fortune, and at one time he hoped that his son might go to Harvard Business School to set him up for a prosperous life in commerce.
He approved, however, of John Julius’s choice of a diplomatic career. Yet scarcely had he started at the Foreign Office when his father — who had been created Viscount Norwich in recognition of his political career — died at sea on January 1, 1954, during a convalescent cruise.
After her husband’s death Lady Diana was unashamedly possessive of her diplomat son and, in due course, his young wife. The newlyweds began their tour of foreign service assignments in Belgrade, which at first they hated, but came to love, although the agonies of diplomatic dinner parties (“few gatherings are more boring”) never eased.
John Julius, who had inherited his father’s title of Viscount Norwich on his death, was also sent to postings including Beirut, before which a decree had gone out that there were to be no placements “too near his mother”. He was promoted in 1961 and played a role in the Geneva Disarmament Conference. With the stage set for a career of some distinction, he decided nonetheless to resign and earn his living by his pen.
Travel and a keenly developed aesthetic response to his surroundings informed much of his work. His first book, written with his fellow traveller Reresby Sitwell, was
Mount Athos (1966). It was followed by
The Normans in the South. Browsing at the London Library (an institution that he held in great reverence) had revealed to him how little the Norman presence in Sicily had been recorded in English historical writing. He made good the deficiency in a lively narrative that disavowed any original scholarship, but succeeded in an approach that was as much cultural as it was military and political. A second volume,
The Kingdom in the Sun, brought the tale of Norman rule to its end in 1194.
His aesthetic and historical response to foreign travel showed itself throughout his career, not least in the many television documentaries he narrated. In his programmes he avoided the condescension of Kenneth Clark, but infused his approach to historic buildings and events with something akin to David Attenborough’s enthusiasm for natural history.
The disorder of the great Venetian flood in 1966 gave him not only a new subject, but also a great cause. He had fallen in love with Venice at the age of 16 and knew the city well. He became a leader of the Venice in Peril movement, and was the chairman of the fund from 1970. Two volumes on Venice,
The Rise to Empire and
The Greatness and the Fall followed, which stand well in the tradition of British historical writing on the Venetian Republic.
Byzantium presented a much greater challenge, not least because of the historical scholarship that had been lavished on it. However much Norwich claimed to have eschewed “original scholarship”, his historical empathy and literary accomplishment made him the envy of many professional Byzantinists, whose specialised studies had different intentions — and a very different readership.
His three-volume history
The Early Centuries,
The Apogee and
The Decline and Fall, is a considerable achievement, not least because it is founded on extensive and well-informed travels in the eastern empire. Sometimes, however, he misjudged the advance of scholarship. A later work,
Shakespeare’s Kings, failed to take account of a key revision in the whole historiography of the late medieval English monarchy.
His television experience and easy microphone manner made him a fine choice to be the first announcer for Classic FM, the new radio station that for a while seemed to become “Radio Norwich”. His clear, well-modulated voice and accurate pronunciation in several languages were a credit to the station in its early days, and the disc jockeys who followed him showed an irreversible decline.
From 1970 he began to send his friends not just Christmas cards, but also
Christmas Crackers, pamphlets compiled from a commonplace book started 20 years previously. The miscellany included letters, diaries, gravestones, boastful
Who’s Who entries, indexes from biographies, and word games.
“Exiguous stocks” of these diverting anthologies became available in the carriage-trade bookshops and the series gained a certain following. When gathered into decennial volumes in 1980 and 1990 they were a commercial success. Year by year the annual
Crackers increased not only Norwich’s literary popularity, but also his wide range of friends.
His sociability was displayed at cultivated dining clubs such as the Society of Dilettanti or the Literary Society as well as larger gatherings such as the annual party for the Duff Cooper memorial prize, the literary award for the best work of history, biography, political science or, occasionally, poetry, published in English or in French, set up in his father’s memory. Norwich had been an energetic organiser from its earliest days and invitations to the prizegivings were valued. Every year a Mayfair ballroom was filled with the cream of social and literary circles, most of whom were personal friends of the chairman of the judges.
His wife, Anne, was the daughter of the colonial governor Sir Bede Clifford. They had two children: Artemis, an author who is married to the historian Antony Beevor; and Jason, an architect who succeeds him as Viscount Norwich. Feathers were ruffled when Anne discovered that her husband had for several years been having an affair with Ricki, the estranged wife of the film director John Huston, and that they had a daughter, Allegra.
Upon hearing the news, poor Anne had a nervous breakdown, but when Ricki died in a car crash she gamely offered to look after Allegra, then aged three. Norwich declared this “an act of generosity I shall never forget”. As it turned out, Huston, who desperately wanted another child, raised her instead, at least for the most part.
“From one point of view it was a relief,” Norwich reflected, “but was it a dereliction of duty? I was in such turmoil that I didn’t know what I thought or felt. There was never any secret that Allegra was my daughter.”
Norwich and Anne were divorced in 1985 and four years later he married the Hon Mollie Philipps, the daughter of Sir Roger Makins, Lord Sherfield, and formerly the wife of the Hon Hugo Philipps (later Lord Milford). They had met in his beloved London Library and went on to live fairly modestly in Little Venice, travelling everywhere by Tube. “I’ve always been fairly skint,” he said. “My father was a terrific spendthrift. Mother much the same. I inherited virtually nothing.”
It was the reason he carried on working into old age, lecturing, making documentaries and writing more than 20 books on popular history. Indeed, nothing delighted him more than when, earlier this year, his last book,
France — A History: from Gaul to de Gaulle, featured in the list of
Sunday Times bestsellers, a first for any of his books.
Described as an anecdote-packed trot through 2,000 years of Gallic history, the book was popular with critics too. According to Nick Rennison, writing in
The Times, there was “certainly a need for a concise history of France in English and, in many ways, John Julius Norwich is the ideal man to write it. It is not every historian of the country who can reminisce about an adolescence spent in the British Embassy in Paris, where his father was ambassador, and the young John Julius mixed martinis for Jean Cocteau. Norwich has a love for France that stretches back to his childhood and it is evident throughout this readable, entertaining book.
“He is an unashamedly old-fashioned historian. He has little time for social history and even less for economics. His interest is in the deeds of kings and queens. History becomes a series of vivid vignettes strung together by his strong sense of narrative. Since his avowed aim is to write for the general reader, this is no bad thing.”
Cheerfully indifferent to the opinions of purists, Norwich admitted that he “had not discovered a single new historical fact” in his life. “I like infecting other people with my own enthusiasm, but I am not interested in pushing back the frontiers of knowledge. Deep down, I’m shallow. I really am.”
Shallow he may have been, but he remained enthusiastic about life, even though his last weeks were spoilt by injury and illness. He was waiting for heart surgery, but had also ruptured a tendon in his knee while walking up the steps to the Sistine Chapel in Vatican City, where he was going to a concert. He walked again for the first time the day before he died.
He will be remembered for being convivial to a fault, scrupulously congenial and self-deprecating to a heroic degree — not to mention the happy possessor of two tattoos, one on each arm. He delighted in telling people how his memoirs had been rejected by every publishing house in London because he’d had it “too bloody easy” all his life.
This wasn’t quite true — his parents, whose long shadows he lived in, were a handful. He claimed to take his father’s infidelities in his stride, and attributed his failure to see what was going on to his being “a stolid, unimaginative child’’. One of his favourite visitors to his family home was Louise de Vilmorin, for example, who — it turned out — was having a passionate affair with his father. His mother knew, he said, and “didn’t mind a bit. They had an incredibly happy marriage, but my father wasn’t faithful to her for a single second.”
In 2005, in contradiction of his father’s hope that he would never read them, Norwich published his father’s diaries, which documented his woman-chasing. He considered editing out the rakish aspects, but decided that sexual conquest was “so much part of his character” that they had to be left in. It wasn’t quite a case of like father, like son, but in terms of living a vibrant and textured life, the second Viscount Norwich did the first proud.
John Julius Cooper, 2nd Viscount Norwich, historical writer and cultural expert, was born on September 15, 1929. He died of heart failure on June 1, 2018, aged 88
No comments:
Post a Comment